When I was a kid, I spent as much time as I could drawing... until I got my first Apple II. Old interests got swept aside to make way for my new obsession: making games. Over the next three decades of writing, programming, and other left-brain activities, I almost forgot that drawing had once been a primary means of self-expression.
It came back to me in 2008. My artist friend Alex Puvilland gave me a Moleskine notebook, black Pigma Micron pen, and no eraser. I started sketching people in the street, at cafés and airports, in live-model workshops. (And on the Prince of Persia movie set. There were camels!)
I found the tactile, no-undo, Zen aspect of pen on paper a soul-refreshing break from screen time. Other than showing my sketchbooks to friends and family, and an occasional snap-post on Instagram, I had no plans to take my hobby public. But over time, it became clear to me there was something about the drawings that others found of interest.
Today, after over a decade and 34 Moleskines filled, I'm happy to share with you a year of my no-longer-private sketch journal. It's a little book entitled Year 2 in France -- 164 pages drawn between August 2017 and August 2018, the second year after I moved to France from L.A. (There's some New York, London, and other locations too.) I hope it captures the atmosphere of that year, and of those places.
I've worked closely with Gami, a local fine-art printer here in Montpellier, on a small print run of the book. We've also done limited-edition, signed and numbered giclée prints of selected drawings. When an edition runs out, it won't be reprinted. You can order them here.